Thursday, July 30, 2015

Run-on Sentences; The Story of my Addiction



Over lunch, while eating a sandwich she picked up from the deli up the street on her break, she pored over the work spread across her drafting table.

I am ashamed to say the above sentence was written in my most recent book. Now, in my defense, the book is currently in the editing stage. So, the good news is that I managed to catch this before it goes to print. The funny thing about this sentence is that the very day I realized it was filled with unnecessary words, I read a blog article on tips to keep an editor from cringing. I’m happy to say I read the article before I took issue with my wordy sentence, but it got me to thinking. How many more of my sentences are this cluttered?

Asking myself this question led me to seek the answer. Finding that answer in a one hundred thousand words plus novel was no easy feat. The results are both good and bad. Good news? They weren’t as many cluttered run-on sentences as I was afraid of. And since the novel hasn’t been published, I was able to address them before they saw the light of day. Bad news? There were more cluttered run-on sentences than I was hoping for. Since the novel hasn’t been published, that means I have to correct them which might lead to a delay in publication.

As I was going through my novel in search of these pesky critters, I realized something. I have a tendency to add a lot more detail than necessary to some of my sentences. Take that first sentence for example. Who cares where she got the salad from and when? Does leaving that information out of the sentence negatively impact the story? Does leaving it in help? The answer to both questions is no. The solution is to take it out.

I also discovered that I like to take what could be two, sometimes even three sentences, and make them one nice, long, flowing sentence. There were a few instances where I had one sentence paragraphs that were three lines long. I like writing which means I like words, but even I can see this is some serious overkill.

In the category of more good news, this isn’t the end of the world. It’s something I can fix which means making my stories flow better. Of course, the flip side of that coin is the realization that it took several published novels for me to catch on to this problem. Now I have to avoid rereading those novels, or I might end up crying.

A long time ago, an editor told me I was addicted to adverbs. I laughed her off until I counted how many there were. It was an eye-opener. Now, I do my best to use them sparingly. It seems I substituted one addiction for another; run-on sentences in place of adverbs.

Thankfully, I can and will do something about this. I am by no means convinced I am the best writer I can be. As long as I write, there will always be room to improve my craft. If I can overcome my adverb habit, I can beat this too! 

Thursday, July 23, 2015

Self-Promotion Sucks! Help Me!



The other day when I was putting my lunch in the break room refrigerator of my day job, a coworker said to me, ‘I didn’t know you had your own website, Trish. That’s cool.’ My website is specifically devoted to my writing and I have a rather large sticker on the back windshield of my car that advertises my site.

The observation about my website was made by someone I’ve worked with for a little over two years now and it perfectly illustrates one of my biggest shortcomings as a writer; self-promotion. I’m not just bad at self-promotion, I’m terrible at it.

There’s a common misconception among aspiring writers and non-writers that the publisher is going to invest in marketing your book. The reality is much different. Large publishers do have marketing budgets, but those are typically reserved for already established authors. There will be little to no money invested in the first time author. Small publishers just don’t have the budget to promote the author. Whether large or small, most publishers expect authors to have a marketing plan by the time their novel is ready to go to print.

I have a marketing plan. It’s a really nice one. I worked hard on it and it’s a good looking document if I do say so myself. Not only do I have it, but I’ve actually implemented some of the strategies on the plan. I created an author website. I have social media accounts which I update regularly. I’ve solicited reviews for each book I’ve published.

I’ve even done some things on my marketing plan that weren’t there. I’ve had created and posted social media ads. I’ve done a virtual book tour. I’ve joined online reading communities to try and expand my audience. I even started a small street team to get my most faithful readers to help me generate an online buzz about my work.

Yet no matter what I do, that best-selling author status continues to elude me. I am apparently either a terrible writer or not doing the right things to get the word out about my books.  For the sake of my ego, I’m going to say it’s the latter and not the former. It’s not that I’m a terrible writer. I’m just not good at promoting my work. Only time will tell if I improve on that. In the meantime, I’m throwing myself on your mercy. 

Please read my work. If you read it, post a review online. It doesn’t have to be a big one. It could even be a one liner; something like ‘Best book I’ve ever read!’ If you have a Twitter account, follow me and favorite and retweet my tweets. If you have a Facebook account, like my author page and like and share my updates. And finally, spread the word. Tell your friends and family how great I am, or rather how great my work is.

Okay, yes, I hear the desperation in my voice and I’m sure you do too. Self-promotion sucks. It doesn’t come naturally to me. Take pity on me. Please.

Thursday, July 9, 2015

Resisting Temptation

A few years ago, I was on this writing contest kick. I think I've told you this before. Besides looking for some validation that my writing didn't suck, I needed some writing credits I could include in my query letters to agents. Trying to get an agent is like trying to get a credit card. You can't get credit without an established credit history. You can't get an agent if you don't have some writing credits to your name. How's an aspiring author supposed to get a writing credit? Well, a writing contest seemed like a good place to start.

One of the contests I entered was sponsored by publisher Hardie-Grant-Edgemont and it was called the Ampersand Young Adult Novel contest. It gave emerging authors the chance to have their young adult novel considered for publication. The thing I liked best about this contest, besides the lack of an entry fee, was the fact that it welcomed edgy novels.

I polished up my favorite unpublished YA novel entitled Totally Sick Freak. With the first line of the novel being 'I'm probably the most fucked up person I know', I figured that certainly qualified as edgy.

Obviously, I didn't win the contest. You've never heard of Totally Sick Freak. It's not published and you have no idea what it's about. I did get something I didn't expect though. As part of the judging process, all of the novels were critiqued and authors were sent those critiques. Even though it can be a little sad to see your beautiful creation ripped to shreds, it actually makes you a better writer once you get past the crushing realization that your writing isn't perfect.

A few days ago, I got an email that the contest is open for submissions in two weeks and I gave serious consideration to it. I do have a couple of YA novels that I'd really like to see the light of day. The problem is they're not ready. If I want to submit them, I not only need to clean them up, I need to format them to the contest standards. That's a pretty tall order for such a tight timeline. With enough effort, I'm sure it could be done, but I'm going to stand strong and stick my skipping contests plan I set this year.

I'm all for writing contests, but I made a writing plan this year and contests wasn't in that plan. That's not to say I'll never enter another one again, but I promised myself and my readers I'd try to publish more novels this year. I can't do that if I'm slaving away on prepping for a writing contest that I have slim odds of winning.

So, if you're entering, good luck. I'm pulling for you. As to me, I'm going to resist that temptation; for now!

Wednesday, July 1, 2015

It's Indie Author Pride Day!



Earlier today, I was scrolling through Facebook, while on a company approved break at my day job of course. I would never peruse social media on company time. So, there I was scrolling through Facebook on my break when I saw a smiling writer posing beside two copies of her book proclaiming today is indie author day.

I have to admit, I’d never heard of indie author day. Intrigued and determined to find out more, I took to the internet to see what I could find. Sure enough, I found it. You can find most anything on the internet you know.

July 1st has been designated as Indie Author Pride Day. Its purpose is for independent authors to flood social media with pictures and announcements that show their pride in their work. There wasn’t any real explanation of why it exists or who started it, but I assume it was born of the need to remove the stigma from self-publishing.

I’m not going to lie. There are plenty of self-published novels that would probably make better coasters or door stops, but there are just as many that are well written, entertaining, engaging and making national bestseller lists. And regardless of what some people think, it’s not rejection from agents or publishers that motivates some authors to self-publish. There are a number of other reasons that don’t really matter today.

Today is about indie authors taking pride in their work and I have to say I like this idea. I like that someone recognized that all authors deserve to be recognized in some way, even if that means getting out there and sharing their pride on their own. If you ask me, this is actually an interesting marketing opportunity as well.

If you’re an indie author, let’s hear it. If you love the work of an indie author, help them celebrate Indie Author Pride Day by sharing your favorite pictures, stories, books, etc. After all, it’s all well and good for me to get on my own bandwagon. I am proud of the work I do, but I don’t do that work for me. I do it for the readers so thank you. Thank you for making Indie Author Pride Day possible by showing publishers that you’re willing to buy self-published books. 

Thursday, June 18, 2015

Don't Leave Me Hanging!



We’ve all been there. We buy a book that looks good. We read it and it is good. In fact, it’s so good, it’s a page turner. We turn in to wolves reading voraciously until we reach the end only to get a sharp slap in the face. Rather than get the closure that’s kept us reading, we’re left open mouthed with a cliffhanger ending and no more pages left to turn.

Cliffhangers aren’t new. They’ve been around for ages and it’s not just novelists that use cliffhangers; scriptwriters have done it too. If you’re as old as I am, you remember the most famous television cliffhanger of the eighties being “who shot J.R.” on the prime time soap opera, Dallas. Man, I just dated myself!

The idea of the cliffhanger is to get readers so invested that they come back for more. They buy the second and possibly third and fourth books in the series. Writers net more sales and make more money and readers get more of the characters they love. It’s a win-win situation. Or is it?

I’ve noticed lately that more and more readers are fed up with cliffhanger endings. This is particularly true when the author offers the first book for free and leaves it on a cliffhanger. If you want to find out what happened to the characters, you’re forced to buy the subsequent books. Some readers flat out refuse to do it, but some are so compelled to find out how it ends that they invest the money.

Some readers are not only putting their foot down and refusing to buy the books, but they’re leaving online reviews warning potential readers that the book is a cliffhanger. And of course, you know these readers are also giving one star reviews and talking about how unfulfilled they are. This dissatisfaction leads to them finding other things to pick apart with the book and post in their reviews.

I’ll be honest. I’m on the fence about the cliffhanger ending. If it’s a good book, I’m a little more tolerant, but there is one sure fire way authors get my dander up with cliffhanger endings. I absolutely cannot stand when an author takes what should easily be one, maybe two books at the most, and stretches it into five or six books. The first book is typically free and ends on a cliffhanger and more often than not, it’s less than one hundred pages long. Subsequent books in the series are released that are of equal length but priced higher. And even though there are times when I really like the characters and I’d love to know how their story turns out, I take a stand and join the ranks of other readers and say enough is enough. I’m not buying any more of these books.

I’m here to tell you it is possible to write a series of novels, featuring the same characters, and make them standalone novels. It not only can be done, it has been done by authors in every genre. When that happens, readers don’t necessarily have to buy the other books to understand what happens in each subsequent book, but they often will because they’ve become emotionally invested in the characters.

When I wrote the Time for Love series, it followed the love story of one couple over a series of four books. Each book took place at a different time in their lives. Rather than use cliffhangers, I took the approach of what many call “happy for now”. Each book had a resolution to its conflict, but readers knew there was more conflict on the horizon. Thus far, I haven’t had any complaints about that.

No matter how much you want it to, the cliffhanger ending will never go away. There will always be some writers who have convinced themselves it’s the way to go.  I would never tell another writer how to write their story, but I will warn you that more and more readers are rising up with cries of ‘don’t leave me hanging’ so proceed at your own risk.

Thursday, June 11, 2015

People Actually Read That?



I have a pretty eclectic taste in music. Oddly enough, the same can’t be said for books. I like a few genres and when I read outside those genres, I usually don’t enjoy the books I read. As a writer, I also write in only a few specific genres. Actually, I write in one genre with a few subgenres attached to it. Every book I write is a romance novel. It could be a young adult romance or a contemporary romance but mostly it’s contemporary erotic romance.

When I say that I write contemporary erotic romance that means the characters in my books have sex. For that reason, those characters are typically adults in a consensual relationship. For the most part, I’ve stuck to pretty traditional relationships for my characters, meaning a man and woman are having sex. Sure, I’ve introduced a few toys or added some element of risk for the setting, but I haven’t stepped outside that box of what’s considered typical.

My sex scenes may fall under the category of what’s expected, but I’ve certainly read plenty of authors pushing the envelope, expanding boundaries and just plain getting down and dirty. I can hear you now. Can you give us an example of what those clichés mean? Yes, I can.

Lately, I’ve noticed that polyamorous relationships are cropping up in several of the novels I read. In case you don’t know, a polyamorous relationship is one involving multiple partners. It’s the pretty way of saying a three-way or a gang bang. I know, I know, it sounds like a turnoff. If you’re an uptight person, it is a turnoff.  To those of us a little more open minded, if you read a few romance novels with this plot point, you see that it works when told well. And no, the conflict doesn’t always have to revolve around the participants being jealous of one another.

I’ve also seen more and more same sex romance novels. Yes, gay romance. Some are good and some aren’t. That’s true with any book, but when they’re done well, readers can focus on the love story without getting hung up on the biology. At least, an open minded reader can. A reader who doesn’t agree with homosexuality or doesn’t care for gay romance isn’t likely to enjoy a story of this nature no matter how well written I think it is.

There’s also another trend that I have to admit falls under the “that skeeves me out” category and I like to consider myself pretty open minded in the romance novel department. I’m talking about those stepbrother romances. If you’re a romance reader, you’ve seen them. They’re everywhere with titles like Falling for My Stepbrother, I Married my Stepbrother and the not so subtle I’m Doing my Stepbrother. I don’t have a stepbrother, nor do I have any stepchildren, but I know plenty of people who do. From what I’ve seen, most stepsiblings grow up feeling and being treated like biological siblings. It’s that hint of incest that makes me uncomfortable, but these novels are popular enough to not only be sold but to become bestsellers.

Recently, I even learned about something called dino-porn. I’m not kidding. It’s real and it’s just like it sounds. The plot of the story revolves around humans and prehistoric creatures in sexual relationships. Now, that’s not my cup of tea, but it someone’s. In fact, let me just go on record now as saying the whole bestiality thing just doesn’t do it for me. Don’t read it and won’t write it.

These are just a few examples of what’s out there and before you turn your nose up at it, I’m here to tell you that people are reading it. Authors are making a living at writing these stories and some of them are making a better living than I am with my contemporary erotic romance novels.

With so much diversity in romance, it’s difficult not to be inspired to try something new. No, I’m not writing dino-porn, but I do think it’s time to grow a little as an author. I’m never going to write a student-teacher novel, but I’m thinking of trying my hand at polyamory or gay romance. There’s a market for it so why not give it a try? No, I’m not selling out or looking for a quick buck. Readers’ tastes are changing and I want to change with it. Sure, someone may read my next book and decide it’s not for them, but someone else may love it.

Music has changed with the times. What we listened to in the fifties isn’t what we listen to now though its influence can be heard. I suppose the same should be true for books. What do you say? I’m ready to write some gay romance? Who’s ready to read it? Because yes, people actually read that and so much more!

Thursday, June 4, 2015

Why Are you Begging for Reviews?



Earlier this year, I made myself a promise. Rather than just using social media to promote my own books, I was going to actively seek out new authors. I wanted to make sure I was doing my part to help my peers. If I want help, I have to give it in return right? In theory, that’s true, but I’ve discovered a few things that have left me with a bad taste in my mouth and they have to do with reviews.

There are a number of groups on Facebook dedicated to book promotion, authors, reviews and the like. Authors can post links to buy their book, solicit reviews and share news about upcoming releases, book tours, and so on. Most authors tend to post a copy of their book cover with a small blurb about the book and the links to buy. I started to notice that very few were responding to requests for reviews and review swaps. The review swap is just like it sounds. Authors trade copies of their books and review them for one another, making sure to post those reviews online.

My first venture into the review swap foray did not go well. The author asking to trade reviews was a non-fiction author whose latest release was a cookbook. The only valid way for me to review the book would be to test the recipes which I did not want to do. When I politely tried to back out for that reason, the author said she also had fiction novels that she would trade reviews for. I agreed and thought we were ready to proceed only to find out that the author wasn’t interested in reading my work because my books aren’t available through the Kindle store. Okay, then! 

The second time I offered to review an author’s work, it was because she posted a request in the Facebook group that no one was responding to. I suspect no one responded because she wasn’t doing a review for review request. However, she was offering a free copy of the book. I accepted and thoroughly enjoyed the book, but I was dismayed when I logged into Amazon and Goodreads to post my reviews and found more than fifty 4 and 5 star reviews already existed for this work. Why would this author need to solicit reviews when the book was already being well reviewed?

A variation of this happened again this week. An author offered to swap reviews and said he would read any genre in return. I agreed to read his book and was even kind enough to explain that I write contemporary erotic romance so I would understand if he didn’t want to read my book in return though I’d appreciate it. Not only did he send me his book and thank me for letting him off the hook to read mine, but again I find that he has more than thirty reviews on Amazon. Only one was a 1 star review, the rest were 4 and 5 star reviews

People, why are you out there begging for more reviews? Okay, yes, I’m sure the number of reviews dictates how heavily the book is promoted, where it’s ranked, etc., but damn it, you should be lucky you’re getting the reviews you are. One year ago, the first Taking on Love book was released and it has four maybe five reviews on Goodreads. I have even fewer reviews on Barnes and Noble. My point? I would give anything to have thirty or more reviews and I would not be out there actively trolling for more without giving anything back in return.

So, I’ve come to a decision. From now on, I will not do a solicited review unless the author has fewer than ten reviews. I will happily continue to review all the books I purchase on my own as a thank you to the author. I want him or her to know how much I enjoyed his work.

I’m sure some of my peers will disagree with what I’ve said here and my decision not to review your work if your reviews are already rolling in. Maybe one day, I’ll see the other side of this coin. Until then, I keep asking myself, why are you people with double digit review numbers begging for reviews the rest of us with fewer could really use?